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The Body (2022) is made from steel and yarn and comments on how corporate interests have reformed the church. Engraved is the book of Genesis, except (nearly) all of the nouns are replaced with the names of companies that the HRC has identified to be donating to anti-LGBT organizations — mostly conversion therapy initiatives.

The Sacred Heart (2023) uses my scribbled notes while reading Maggie Nelson's Bluets and an archival photo print of a man's heart with a bullet wound, with acrylic paint splatters in primary red and blue.


The Conversion (2021) is made with white sketching crayon and black paper, inspired by the stories of people who have survived the hell of conversion therapy camps.


I had never picked up a brush before the summer of 2022 but decided to try and learn. These are my two favorite works from that adventure.

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